| Born 1942 in Homberg /
Efze (Germany) Apprenticeship, manager 1 st. study: economics Stays in India and Spain Teacher at a vocational school |
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| 2 nd. study:
philosophy, history, politics, thesis: The influence of national historical clichés on the writing of local history Various publications, novel: Die Bleiarche (The ark of lead) Performances, 1 st. one-man-show 1992 Landart - projects since 1994 My landart - projects are based on the following items: motivation, source, element, form, tools/materials/objects |
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| Project | Motivation | Field of Event | Element | Form |
Tools Materials, Objects |
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GENESIS 1994-1996 |
curiosity | philosophy | soil, flowers, grass |
writing, shape of a human body | tractor, sowing-machine, seed |
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MATTIUM II 1997 |
anxiety | history | stones | - | blue color |
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BLAUE KIRCHE 1997 |
rage | history | ice | groundplan of a church | blue color |
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HIRNWEIDE 2001 |
apprehension | science politics |
grass | shape of a human couple | tractor, scythe and cows |
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DER AUSFLUG... 2004 |
hope | genetic engeneering |
ice | shape of feet | blue and red color |
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KAMPF MATTIUM 2004 |
hope | history | air | different motions | 3 aeroplanes, pigeons |
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ERDLIED 2005 |
joy | sing | soil, fire | writing and notes | tractors torches, 400 persons |
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YOGOZEN 2006 |
hope | psychology | stones on a rock, the Sea | writing | - |
| Comments on my personality and my work: |
About the project "La Conferencia de Clima" "Don Quijote del hielo" (hielo=ice), La Prensa Austral, Punta Arenas/Chile, 4.3.2010 "The crazy idea of a German..."; Las Ultimas Noticias, Santiago/Chile, 25.2.2010 |
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| "You are an incorrigible moralist, who is expressing his indignation and perplexity in his works." |
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Rolf Herbertz-Stoll (pianist) |
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| The German-Austrian artist
Hans-Joachim Bauer goes one step further, however. He brings a gentley
expressed but profound moral anger two what he terms "landart". Landart, he says, is primarily psycological in its impact. It does not make a lasting the landscape itself, only on poepel´s minds and attitudes. |
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Angela Jeffs, The Japan Times (Tokyo, Japan) |
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| "... It is not for the first time that... cardrivers watch the mysterious large-scale landart-drawings of the artist... some years ago he invited spectators in a plane to watch - God from the sky - ...and he has always asked new interesting questions ... he presented Jesus! Crossway in a bodybuilding studio and developed a landart - project based on the Cambodien Holocaust ... he was sketching a sunken church on the ice of the lake Edersee ... and commented his landart - project "SULAMITH" with the words: A work concerning the German responsibility for the Holocaust. |
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Eduard Kopp, Deutsches
Allgemeines Sonntagsblatt |
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| Papa, you are crazy ! |
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Leon |
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| The German artist Hans-Joachim Bauer had created - in downtown Kuovola - piece of art called TAISTELU (The Fight) Made out of trunks and concrete slabs, was it a part of the exhibition BLUE APPEARS IN SPACE at our museum (we reported). Yesterday night it was totally destroyed with chainssaws and hammers. The police said... |
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Katariina Hakaniemi, Kouvolan Sanomat (Kouvola, Finnland) |
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| "If you ask me... the artist... knows it quite well how to use
provocation. His ambiguities in the project Hirnweide (brainmeadow) was a
proof for it. Those actions drive a thorn into the brain of the spectators. Whether they want it or not, they get involved in an artistic and philosophical discourse. At first view you think what a foolish action, but it turns out to be very ambigous. The artist is able to cause astonishing correlations with quite simple means ... In his transistory projects he creates a lasting impression! |
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Heinz Rohde, Hessische
Niedersächsische Allgemeine |
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| During his stay in Patagonia (Chile) the artist presented his performance: En el cemeterio de los tempanos (In the cemetery of ice) which refers to the melting glaciers worldwide and its consequences. |
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Gabriel Leiva , Prensa Austral , Puerto Natales ,Chile |
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